Modern High-Speed Rail Station Lifestyle Short

Prompt

Mode: T2V. 15-second real-life short film. Protagonist: Adult East Asian female, black shoulder-length straight hair tied in a low ponytail, natural stray hairs on forehead; bright yellow short-sleeved knit Polo shirt, hem fully tucked into light blue high-waisted straight jeans, white low-top sneakers, light gray socks, small silver round stud earrings and a silver wristwatch. No jacket, no hat, no backpack, no handbag, no cell phone. Only prop: 20-inch turquoise hard-shell rolling suitcase, rounded rectangular prism, no logo, no stickers, black double-rod handle always fully extended. The opening shows her pulling the suitcase behind her to the right; when stopped, the case is vertical next to her right leg; when sliding away or being stopped, it remains vertical, not toppling, opening, or deforming; the end shows her holding the case with both hands in front of her chest and abdomen. Scene: A modern high-speed railway station waiting hall on a sunny day, bright and tidy, not an old station. Large glass curtain walls on the left let in sunlight, light gray stone floor, rows of light blue-gray waiting seats ahead, simple white light strips and blurry unreadable modern signage at the top. The flow of people in the waiting hall is only a blurry background in the distance, no other clear characters appear. The sunlight forms a soft bright area on the ground, creating a refreshing daily feel of a contemporary transportation hub. Cinematography: Early 2000s home MiniDV, a friend filming casually while walking behind her to the right. Natural handheld shaking, inaccurate composition, characters occasionally drifting out of frame; the camera follows half a beat late after events happen, autofocus twitches briefly between shoes, suitcase wheels, seats, ground, and face, and sunlight from the glass curtain wall causes slight exposure jumps. Low contrast, slight fading, soft details, digital noise, natural motion blur. The old DV only affects the filming texture, the station environment remains modern. No stabilizers, cinematic camera movements, polished vlogs, or commercial lighting; the photographer and DV camera must not be clearly in the frame. 00:00-00:03, she walks from the waiting hall aisle towards a row of empty seats, pulling the turquoise suitcase behind her on the right. The friend films while walking, the camera first low, catching the white sneakers and suitcase wheels, then raising half a beat late to find her. 00:03-00:06, she stops in front of the seat, places the suitcase vertically beside her right leg, lets go of the handle with her right hand, and prepares to turn and sit down. The suitcase slides forward slowly on its own due to a slight slope in the floor. She looks back and discovers it, eyebrows raised, quickly stretching out her left foot to block it, but misses, the suitcase continuing to slide past her toes. 00:06-00:09, she immediately chases two steps forward, body leaning forward significantly, arms extended; her right hand finally grabs the fully extended black handle. The friend was still filming the seats when it first slid away, hurriedly backing up to capture the scene upon hearing her urgent footsteps. 00:09-00:12, the suitcase still has momentum, the vertical case being pulled to the left by the handle, her right arm straightened, body jerking forward, right foot taking a large step back, left foot following, knees bent, appearing nearly losing balance but not falling. She immediately lets go of the handle, holds the upper part of the case with both hands, and tightly fixes the suitcase in front of her chest and abdomen, finally standing steady. The friend happens to capture her awkward posture holding the box with feet apart, and starts a short zoom-in late. 00:12-00:15, she slowly straightens up, still holding the suitcase with both hands, looking down to confirm it won't run again; hearing the friend's suppressed laughter, she looks up and glares at the camera, then can't help laughing herself. The camera pans down to the turquoise case held in her arms, white sneakers, and sunlit ground, suddenly going black like an accidental touch amidst the handheld shaking. Sound: Low hum of the waiting hall air conditioning, blurry announcements in the distance, the light sound of suitcase wheels rolling over stone ground, footsteps when she chases, the plastic clatter when the handle is grabbed, her short inhalation and the friend's suppressed laughter; very faint source music with unidentifiable lyrics from a distant shop. No narration, no subtitles, no post-production music, no exaggerated sound effects. Priority: Modern bright waiting hall, turquoise suitcase, and the two-stage conflict of the protagonist "walking to seat - letting go and sliding - failing to block with foot - chasing and grabbing handle - case turning causing imbalance - holding with both hands to stand steady" take priority. Reject suitcase toppling, opening, running out of control, characters actually falling, crowded people, character outfit changes, old station styles, and clear text.